Movie: **** out of 5
Video: ** 1/2
Audio: **
Extras: **
Article first published as Blu-ray Review: ‘The Death Kiss’ (1932) with Bela Lugosi, David Manners, and Edward Van Sloan’ on Blogcritics.
It’s nothing new these days for studios to cash in on the success of
another film. It even dates back to the early days of film. There was a
reason studios made actors, directors, writers, etc., sign multi-picture
deals. After Universal Pictures’ successful Dracula
adaptation, Tiffany Pictures decided they would cast the trio of Bela
Lugosi (Dracula himself), David Manners (John Harker), and Edward Van
Sloan (Van Helsing) in something completely different. Instead of
capitalizing on the creature feature angle, the three are dropped in the
middle of a fantastic little murder mystery in The Death Kiss.
While filming a pivotal scene in the film-within-the-film The Death Kiss,
star Myles Brent (Edmund Burns) is gunned down by a car of thugs, only
to be shot with a real bullet. While no one on set is surprised that
someone would want to kill Myles, everyone becomes a suspect and studio
manager Joseph Steiner (Lugosi) is put in charge to help Detective
Lieutenant Sheehan (John Wray) investigate. What looks like an accident
at first becomes a clear case of murder after screenwriter Franklyn Drew
(Manners) digs a bullet out of the set wall. Now, Sheehan must find the
killer, with Drew leading the way with clues, in hopes of coming up
with a new script.
The Death Kiss comes out of the public domain courtesy Kino
Classics touting a 35mm archival restoration and slapped with the
Library of Congress label to boot. Fitting nicely on a 25GB disc and
framed in a 1.33:1 aspect ratio, when The Death Kiss looks
good, it shines. Unfortunately, the audio and video come burdened with
all the trappings of the usual anomalies consistent with public domain
titles. Filled with scratches, hairs, dirt, fluctuating contrast, and
missing frames, thankfully, not all is woe. At least it wasn’t run
through the old DNR machine to try to scrub the image clean; otherwise,
it may have felt like you were watching the whole film through
cellophane.
Random color tinting pops up in some key scenes involving fire and
flashlights, but considering the film doesn’t really deserve a
frame-by-frame restoration, this looks really good all things
considered. As for the audio, things don’t fare any better. Filled with
all kinds of dropouts, fluctuations, and the standard hisses and pops,
the 2.0 DTS-HD Master Audio sounds about how you’d expect in a film
that’s over 80 years old. This is definitely a track you’re gonna have
to crank up the volume to hear. As for the special features, a
“Commentary by Richard Harlan Smith” is all we get, but at least he’s an
expert on every aspect of the film. There’s also a trailer for Bela
Lugosi’s White Zombie.
The Death Kiss is far from a forgotten masterpiece, but
there’s something refreshing when you watch older films. Filled with
some fun dialogue and a really funny “twist” at the end, director Edwin
L. Marin at least shines a light on the behind-the-scenes functionality
of a working studio. Featuring video and audio quality that’s as good as
you can expect, The Death Kiss is worth a look for anyone interested in seeing what it means when someone says “They don’t make ‘em like they used to.”
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