108 minutes
Relativity Media
Article first published as Movie Review: ‘The November Man’ on Blogcritics.
August has always been known as a Hollywood dump month. Lots of trash left for audiences to pick through while they wait for school and football to start again. This year we got lucky with the release of Guardians of the Galaxy, which is still cleaning up nicely at the box office and has officially become the highest grossing film of the summer. But since then we’ve been bombarded with the likes of Teenage Mutant Ninja Turtles, Into the Storm, Sin City: A Dame to Kill For, and If I Stay. And just when we thought the dust was beginning to settle, along comes Pierce Brosnan in the summer’s dopiest film yet: The November Man.
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If it wasn’t for the fact that November Man is so pedestrian through most of its runtime, the Bad Boys finale could probably have been more forgivable. Unfortunately, director Roger Donaldson brings absolutely nothing new to the table. It also doesn’t help that writer Michael Finch is adapting Bill Granger’s novel There Are No Spies as a long-lost ’90s Brosnan-era Bond film. A few comparisons could be made to the Bourne franchise, but if you were to go that route, this would be The Bourne Lobotomy. Brosnan overacts every chance he gets, erupting into screams when he’s not breathing so heavily that he sounds like he’s having a heart attack. If he wants to keep making these kinds of films, he’ll need to invest in an inhaler, seriously.
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Photos courtesy Relativity Media
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