A
Hostel/Hangover hybrid that wastes both opportunities.
Article
first published as DVD
Review: Stripped on Blogcritics.
You
can look past certain things when watching a low-budget independent horror
movie. Acting and production value aren’t something you’re watching to see how
well it looks. Some directors use this to their advantage to tell an
interesting story, while others use lots of music to provide their creep
factor. What director/co-writer/producer/cinematographer J.M.R. Luna really
needs to do is throw as much red corn syrup around as he can afford. Horror
fans aren’t hard to please, but we want more than just tacking a Hostel-esque
finale to almost an hour of Hangover shenanigans. It’s exactly what Eli
Roth's original Hostel was in the first place. All Luna did was fill his
film, Stripped, with a cast of terrible actors playing huge douchebags
who we want to see get their comeuppance in the end — even that he refused to
give us.
Stripped opens with a
man in a hotel room meeting with a hooker while a news report plays on the TV
about a girl named Capri found dead. The movie then switches to found footage
introducing us to Cameron (Carson Aune) who is about to make a sex tape. Before
they get to that point a horn honks and Cameron picks up his clothes, grabs the
camera, and runs out the door. He’s being picked up by his friends Luke (Josh
Cole) and Jake (Nick Cole) for Jake's 21st birthday. All they want to do is
have a weekend of debauchery like every 21-year-old group of friends. Along the
way they pick up Tommy Kay (Alvaro Orlando) and Capri (Nicole Sienna) who begs
them to take her along so she can meet up with her boyfriend. After an
excruciating 50 minutes with this band of asshats, the plot finally rears its
head as they head to “Paradise” to have sex with hookers from a business card
they found in a restroom. You know, like you do. And here is where the film
really goes awry.
If
you’re going to make a found footage film, then stick to your premise. Don’t
start your film as a standard narrative, switch to found footage, and then go
back and forth. All this proves is that you didn’t have enough plot to begin
with and needs filler to explain what’s going on. Not one character is worth saving
by the end of the runtime, let alone that once you’ve already driven home the
fact that we want to see everyone die, Luna basically starts the film
over by jumping back in the timeline and showing events from someone else’s
camera. Yes, you basically have to suffer through the film twice in one
sitting, which is sad when the runtime is a scant 80 minutes to begin with. The
only special features are nine minutes worth of trailers before the menu starts
up for Elevator, Vile, Creep Van, The Columbian Connection,
and A Haunting at Silver Falls. Stripped is available on video
now but it’s not worth a purchase, nor the buck at Redbox.
Cover
art courtesy Inception Media Group
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