The results are in and “The Campaign” is a riot. If only real politics were this much
fun.
**** out of 5
85 minutes
Rated R for crude sexual content, language and brief nudity
Warner Bros. Pictures
Article first published as Movie
Review: The Campaign on Blogcritics.
When a director has a long string of hits under his belt
consisting of two major film series (“Austin Powers” and the “Fockers”),
it’s a bit of a surprise to see Jay Roach step into the political arena. With
two made-for-HBO TV movies, “Recount” chronicling the aftermath of the 2000 U.S.
presidential election and “Game Change” following John McCain’s 2008 campaign with
running mate Sarah Palin, he shows no signs of letting his political guard down
by bringing us the Will Ferrell/Zach Galifianakis beat down, “The Campaign.”
Cam Brady (Ferrell) has run unopposed for the last 12 years
in small town Hammond, NC. He loves his wife Rose (Katherine
LaNasa) and their two kids Cam Jr. and Jessica (Madison Wolfe), but seems to
love controversy just a little bit more. At first it solely consists of his
mistress Shana (Kate Lang Johnson), but when his affair leads to a drunken
voicemail left on the machine of Mr. and Mrs. Mendenhall (Jack McBrayer and
Elizabeth Welles Berkes), it results in a dramatic decline of support. As his
campaign manager Mitch (Jason Sudeikis) puts it, he’s no longer climbing like
the yodeling mountain climber on “The Price is Right.”
The nefarious Motch brothers (John Lithgow and Dan Aykroyd)
see this as the perfect time to strike to get their idea of “insourcing” moving
along. This means that they need someone crazy enough to beat Brady at his own
game in order to build a sweatshop in Hammond
to bring jobs, not to the townsfolk, but to Chinese workers which will double
their already doubled revenue. The Motch brothers call up Raymond Huggins
(Brian Cox) whose son Mitch (Galifianakis) may be exactly who they’re looking
for. Mitch too loves his wife Mitzy (Sarah Baker), their two sons Clay and
Dylan (Grant Goodman and Kya Haywood), and their two pugs. But his perfect
world is in an upheaval once Tim Wattley (Dylan McDermott) pops up as his
Motch-appointed campaign manager to “make him not suck.”
Mud slinging, the Deep South,
and politics in general, all take a hilarious beating as Ferrell and
Galifianakis make good use of their improv skills. While surely there was still
plenty of the script left in tack, credited to Chris Henchy (“The Other Guys,”
“Spin City”)
and Shawn Harwell (“Eastbound & Down”), the film is so hilarious, even if
sometimes ashamedly, that I cannot wait for an unrated Blu-ray release. With what
was left up on the screen it will be a shock to see what could have possibly
wound up on the cutting room floor.
Director Roach sure has come a long way with his directing
abilities, even if he’s still working with a group of actors who love to take a
joke as far as it can go before socking you with a punchline. Speaking of
socking, punching a baby in the face may be hilarious, but just wait until you
see who else gets a smackdown. And it’s a moment of hilarious shock and awe
when you see poor Mrs. Yao (Karen Maruyama) speaking with a $50/week bonus
payment from Raymond Huggins because it “reminds him of the good ol’ days.” The
only down side is that Lithgow and Aykroyd are never given anything to do
making the whole film seem a little beneath them.
With a film like this what it all comes down to is whether
it’s actually funny. And the good news is that yes, it is incredibly funny and
only seems like Ferrell and producer Adam McKay are simply warming up for “Anchorman 2”
next year. Thankfully, “The Campaign” revels in its R-rating and Gary Sanchez
Productions silliness. At least it never aims for the sublime raunch levels of
the divisive “Step
Brothers.” And while it also never reaches the hilarious heights of “Ted,”
I’m still casting my vote for “The Campaign” as one of the funniest movies of the year.
Photos courtesy Warner Bros. Pictures
Ferrell and Galifianakis make this material a whole lot funnier, but you can’t help but think that this could have almost been a comedic satire classic, had everybody decided to go down that route. Nice review.
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